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Cinematographer Lyle Vincent flips the camera over to disorient the audience with upside-down fight scenes.
No a vysledek je lehce podprumernej akcnak s par fajn akcnima scenama, vyjimecne nejakou cool kamerovou vychytavkou a ke konci dementnim a predvidatelnym pribehem.
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The quest reunites her with the girl she orphaned because of course which lumbers the film with an age-old trope of the cold-blooded killer who warms around the presence of a child.
In other words, all of this violence has been due all along to the intervention of a white guy.